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A‌‍‍‍‌‍‍‌‌‍‍‍‌‍‍‍‍‌‍‍s we have discussed, Rosalind Galt proposes that “the production of the pretty as a space of rhetorical exclusion depends heavily on its connection to the wrong kinds of bodies” (Galt 2011, 20). Being connected to “the wrong kinds of bodies,” the pretty image necessarily becomes a troublesome image that is always connected to the critique of gender, sexuality, race—and, I would add, class. In this essay, you will explain Galt’s argument, using the two films K’bela and Madame Satã as examples / evidence. Through the films, you will address how a different way of looking at the “pretty image” can be part of the decolonial “methods of resistance to the colonization that dehumanize‌‍‍‍‌‍‍‌‌‍‍‍‌‍‍‍‍‌‍‍d most of the people in the world,” as Lugones has described (Lugones 2017, 43). This is a short essay, in which your focus will be (1) clarity, (2) convincing use of evidence, and (3) conciseness. The challenge is to produce a text that conveys complex ideas in a non-academic language. Think of your reader as a non-specialist, non-academic, and non-film major: for example, reader of a magazine or newspaper. So please use simple English to write an essay that are understandable and concise. I PUT the links for two videos one is a google drive link the other one is a youtube link

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